Off-Duty San Jose Cop Arrested on Suspicion of. The Wiltern also offers convenient and secured parking so that you can spend less time hunting for a parking space and more time enjoying their comfortable and relaxing atmosphere and decor. A growing number of Californians are getting COVID-19 a second time, new numbers show. Compare our prices and choose from a great selection of Caravan Palace Los Angeles tickets.

Just down the block from The Wiltern, you’ll find a wide variety of amazing restaurants, cafes, diners, and bars so you can enjoy great tasting food while you wait for the doors to open. Caravan Palace is coming to the Fonda Theatre in Los Angeles. Caravan Palace, for those who are unaware, is an electro-swing band from Paris that has mastered their very unique craft and defined the line between music. Your ticket won’t just buy you access to one of the finest shows you could watch this October, but it also purchases you some of the most convenient shopping and dining around. is out October 16 on Le Plan, and its track list and art are below, too. Following last year’s stint at Coachella, the band will be returning to the US in spring 2016.ġ0.Do you need something amazing to make up for a long hard week at work? Are you searching for a great place to spend an evening on Tuesday Tuesday 22nd October 2019? Then you could join many others when they come to The Wiltern to see Caravan Palace. You can listen to “Russian” for yourself below.

With the thump and twirl of Charles Delaporte’s upright bass and Hughes Payen’s violin galloping behind her, Colotis deftly folds her melody into the gaps of the rhythm. It may be in large part due to singer Zoé Colotis, who couches her vocals in a kind of semi-hushed coo more reminiscent of Cibo Matto than, say, Irene Bordoni. While “ragtime EDM” seems like the kind of genre signifier that could have popped out of a particularly piquant random name generator, “Russian,” which we’re proud to premiere today, excels beyond the (admittedly massive) novelty factor. What is surprising is how well the sound works.

That the French, who are notoriously enamored with their own history when they’re not dispassionately breaking from it, would eat this up is hardly surprising. And it’s not difficult to imagine why: it only takes a few seconds of “Russian,” from their third LP-the whimsically titled -to hear echoes of early-twentieth-century Left Bank bohemianism, set as it is to a decidedly modern dance beat.

While they’re not yet as well known in North America, Paris’s Caravan Palace have become something of a sensation in their home country.

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